Designed for complete newbies to the world of creative writing, Creative Writing Ink’s Beginner’s Email Course is perfect for starting your budding writing routine, or for inactive scribes returning to the chase.
Rather than working through online video streaming or Zoom calls, the course takes place via email, so the course notes, while a little more detailed than usual, can be read at any time, with weekly notes and homework over six weeks.
Tutor Doreen Duffy will read each assignment and provide written commentary: Having studied creative writing herself online with the University of Oxford, as well as at UCD and NUI Maynooth, she is no stranger to the approaches writing as a learner, while her work includes appearances in Flash Fiction Magazine (US), Live Encounters (Indonesia), The Incubator Journal, Woman’s Way and The Irish Times.
Up-and-coming writers of verse would do well to take a look at this six-week course led by poetry veteran Enda Wyley, taught online. Learners will be guided through poems by established writers, as a prompt to get into your own poetry head space, simple writing prompts will also be given in class, with the aim of getting into the routine of writing on a regular basis; and creating new poems. There won’t be any pressure on anyone to share new work during the sessions, says Wyley – but if you’re willing to share, this class will be a warm home for your first outings.
Longtime admirers of poetry are familiar with Aosdána member Wyley: she published six collections of poetry – most recently The Painter on his Bike, via Dedalus Press last year. Honors include the Vincent Buckley Poetry Prize, Melbourne University, and it has been widely distributed, translated and anthologized, notably in The Harvard Anthology of Modern Irish Poetry.
Picking up where the beginner’s course in Creative Writing Ink left off, Intermediate Creative Writing continues on an email-based model, the perfect antidote for those of us who have zoomed out completely.
Diving headlong into detail, this course examines more complex aspects of creative writing, from character creation and story structure to bringing emotion and expression into the narrative. .
Kerry Hadley-Pryce takes over from rising writers. Her debut novel, The Black Country, published by Salt Publishing in 2015, was part of her MA in Creative Writing, for which she was awarded a Distinction and received the Michael Schmidt Prize for Outstanding Achievement 2013-14, before the follow-up novel. Gamble too. impressed, including a shortlist for the Encore Second Novel award.
For six weeks, “On Writing Home” is aimed specifically at writers discussing their country of origin while currently or previously living abroad – talking about the experience of emigrants and channeling the experiences of the country themselves. learning in storytelling, style, characterization and aspects of the trade.
Each participant should submit up to 3,000 words of fiction or non-fiction for a workshop, including a brief synopsis for context, while the workshops will review submitted work with reference to a selection of notable literary works. .
Born in Baltimore, Maryland and living in Barcelona, Spain, tutor Madeline Beach Carey is the author of the storybook Les filles dels altres. His essays and stories have appeared in trade publications El Món d’Ahir, de / rail, The Alameda, The Sultan’s Seal and RIC Journal.
If you may be a published writer or a writer on the verge of something new in terms of long-form storytelling, the Irish Writers’ Center offers a special course with award-winning novelist Belinda McKeon.
This course will guide skilled writers through the possibilities of early writing, taking ideas as they come up and seeking to turn them into a finished product; “Examine the story and backstory, voice and interiority, context and subtext, as well as the formal and stylistic decisions that will give a piece of fiction its most powerful form,” according to the plan classes.
McKeon is the author of the Solace and Tender novels, which have won and have been nominated for awards, including Irish Book of the Year 2011 and the 2016 Encore Prize. His short fiction has been published in several anthologies and journals, including Granta literary magazine and Being Diverse: Faber New Irish Stories, while his experience teaching fiction at Rutgers University in New Jersey will be more than interesting to attendees.